Early in my Buffy-watching project, I swore off both DVD extras and Television Without Pity recaps, because they were just way too spoiler-laden. Now that I’ve finished watching all episodes of Buffy and Angel, I’m (slowly!) going back through the whole saga, reading the recaps and watching the extras.
I just finished season three of Buffy for the second time, and am amazed anew. What a marvelous achievement. It’s just such great television, and this time through I found myself appreciating a couple of things that had passed me by the first time:
*** IF YOU’RE READING THIS ON FACEBOOK, BE ADVISED THAT THE SPOILERS BEGIN BELOW ***
1) I liked the Mayor the first time around, just because his milk-and-cookies qualities made such a great contrast to his evilness and batshit insanity. What I appreciated about him this time, though, was the fact that because he really didn’t care about them, he was able to speak the absolute truth to Buffy and Angel. I loved the scene in Choices where he tongue-lashes Angel for selfishness in relation to Buffy. Everything he says is absolutely dead-on, and highlights the fact that even though they don’t look it, Buffy and Angel are a ridiculously May-December relationship. There’s a strong argument to be made that Angel is taking advantage of her — whatever she’s had to go through, she’s still an 18-year-old (if that) girl. The mayor’s genuine disgust with Angel in that scene is a fantastic way of completely dooming their relationship from an unexpected direction.
2) The resonance of the classroom scene in Earshot is just a thing of beauty. The Othello discussion serves the purpose of showing Buffy’s sudden classroom smarts, and her peers’ reaction to it, of course. The teacher’s explication puts focus on Buffy’s anxiety about Angel and leads us in to the attempted mind-reading scene, of course. But let’s take a look at what Buffy actually says about Iago:
“Well, he, um, he sort of admits himself that his motive are… spurious! He, um, he does things because he, he enjoys them. It’s like he’s not, he’s not really a person. He’s a, the dark half of Othello himself.”
The dark half of the protagonist? Doing evil for the joy of it, with spurious motives? Ring any bells about anybody from this season? Oh, right: Faith. Of course.
And listening to the DVD commentary from writer Jane Espenson reveals that this scene was heavily rewritten by Joss. Of course it was.